King Lear in Japan

This grand epic from the 75-year-old Japanese master Akira Kurosawa is one of his finest achievements. Crafted from Shakespeare's "King Lear," it concerns an aged warlord who wishes to divide his kingdom up between his three sons (instead of daughters in the Shakespeare play), but wishing to keep his title and power. Of course, what the warlord has in mind and what transpires are not the same thing. The first son is killed by the second, and the third--who was banished by his father--remains loyal. The real powerhouse of the story is Mieko Harada as the superbly evil Lady Kaede who marries and influences two of the brothers.

For the story's backbone, Kurosawa utilizes the Japanese legend of the single arrow that may be broken and the three arrows that can't. Likewise, much of the action and makeup is influenced by Japanese Noh Theater. But the overall production has the same majestic feel as his Samurai films, and the movie crossed all culture barriers to become a hit here in America. Kurosawa controls every frame brilliantly, using golden hues for interiors, and grass green and dirt brown for exteriors. He has a beautiful sense of movement within the frame; there are very few close-ups or cuts within scenes. And his battle scenes are in a class by themselves (one scene in particular plays for several minutes with no sound effects, only music). Likewise, he never lets wastefulness or sentiment enter in. It's a clean, pure 160 minutes of film and a masterpiece, though it definitely plays better on the big screen than on video.